Oh, gosh.
I had the privilege of working with some fantastic people at DIRECTV. Many of them were kind enough to post recommendations on LinkedIn. Thank you for the kind words.
I had the privilege of working with some fantastic people at DIRECTV. Many of them were kind enough to post recommendations on LinkedIn. Thank you for the kind words.
Within days of turning on the “Available for work” banner on my LinkedIn page, I received a note from a recruiter with Kforce asking if I would be interested in a one-year content writer contract with DIRECTV. Without hesitation, I responded positively. The rep sent me the job description, and I sent my resume. The next day, I had a video interview with the Director of UX. It was an excellent interview, and I was pretty upfront about my views of AT&T (who currently owned DIRECTV) even though DIRECTV was splitting off as their own company. I didn’t think I would get the job. The next day I had the job and the onboarding process began.
Generally, I knew I would be responsible for writing and editing copy for the website. But as I dove into the assignment, many light bulbs came on. I soon discovered I had been a “content writer” most of my life. I wince whenever I see a poorly written sign, advertisement, news header, or instructions – wanting to fix it. Now, it was my responsibility to quit wincing and start fixing.
For the first five months, I was assigned to help DTV Business with content for a site refresh. DTV Business caters to Restaurants, Hotels, Offices, and more. We worked with a vendor to provide the media graphics; our designer would build the UI for the pages, and I would provide the written content. I created a new MS Word document as a CRD, a Content Requirements Document. I would match a CRD with the designer’s Adobe XD design document. These would be reviewed, approved, and handed over to the developers. But there was a bit of a problem. We didn’t have a Producer assigned to the team to coordinate the assigned content and media movement. With agreement from my director, I assumed the role of Producer and Content Writer. There were a couple of long weekends, but we completed the business site refresh.
My following content writing assignments were for various teams and content, mainly for the new customer product selection and purchasing processes. It is incredible how often content has to be changed when dealing with websites that sell products and services. Many of those changes also require approval from the legal department. Product names, logos, trademarks, styling, and element grouping must be just right.
My assignment was with the Quadro team for most of the last two years of the contract. I feel pretty privileged to have been selected to be on this team. We referred to ourselves as the “Skunkworks” of DIRECTV. Our job was to develop new ideas and website components to drive traffic to the site and have better engagement with potential customers. And we didn’t follow the usual business processes. The team’s principal product manager would give us an idea of what he hoped to accomplish. We would have the entire team involved in a meeting. The manager, product owner, designer, writer, and development team will all be involved in discussing and determining feasibility.
Now, due to my extensive background as a developer, I slipped into the role of analyst. I would research the best approach, design, and content for the best results. I would then mock up some options and present them to the team. The PM would make a selection, and then we would hand it over to the designer. Once the design was completed and accepted, we would hand it over to the developers, who already had a head start since they were involved from the beginning of the request. This level of communication and involvement allowed us to provide solutions quickly.
One of the first questions I asked when I started with DIRECTV was if there was a Style Guide. I knew from my courses at Edmonds College that a style guide would be necessary to provide efficient and effective website content. The answer was, “Well, kind of…” There were font guides, color guides, a sort-of element guide, and an attempt at a content voice. But these were scattered about in different files and tribal knowledge.
The director who hired me was now a VP, and he asked for feedback from the team before attending an off-site strategic planning meeting. I mentioned how a Style Guide would be helpful, and I’m sure others noted the need for a Design System.
During the past two years, we migrated to Figma. The new Fusion Design Team has been busy designing and building atoms, molecules, elements, and components for the Fusion Design Library (based on Material UI.) I had the privilege of writing content for the Sharepoint-based Fusion Design Style Guide and content for the Fusion Design Library, and I recorded multiple training videos on how to use Figma, the Fusion Design Library, and how to integrate the Microsoft Visual Studio Code extension for Figma, for the developers. As my last parting project, I designed and developed a CRD template for Figma, which shows how to manage the copy content within the Figma design files.
While I am sad to part ways with the DIRECTV team, I am very pleased that this contract lasted much longer than one year. My skills in UX content writing and research have been greatly expanded. I’ve learned how to do some design and prototyping in Figma and improved my video recording and editing processes. But mostly, I have met and made new friends in the UX/UI industry. Thank you, Kforce and DIRECTV, for the incredible time.
Last December (2020) a friend, past work associate, and fellow author, McNall got in touch with me and asked if I had any Shopify experience. Truthfully, I responded that I had an account, had done some minor store configuration with it, and that it was just another CMS (Content Management System) on the web. Little did I know that I would soon be the primary developer on a major, push the boundaries of Shopify project.
I soon met the team of J.R. (PM), Whitney (UX), McNall (Content), Mike (Configuration), and Carolyn (Client) via a Zoom meeting and learned the initial scope of the project.
City Lights SF Lighting is an upscale lighting store in the City Lights district of San Francisco. Like many other businesses in a pandemic-stricken world, they had to close their brick-and-mortar-based business operation. They had an excellent website, but it was only for attracting visitors to the physical store location. Our challenge was to create an online storefront for a catalog with tens of thousands of products and have it up and running by the end of April 2021. No pressure!
It had already been decided that Shopify would be the store’s platform. We were at the very beginning of a significant project. We only had a platform, a live date, and a team. Thankfully, the team was impressive. We defined our key goals:
We all dove in feet first to our specific tasks. My initial responsibility was to help define the menu structure and determine how to get the products into the store database.
Fortunately, I’m a speedy student willing to take on anything new. Even though Shopify is just another CMS, it does have its own structure, terminology, and development language. Shopify has a prebuilt database structure for supporting products. Products can have descriptions, pictures, options (variants), types, attributes (dimensions, weight, barcode, vendor, etc.), and tags can be defined and attached. Shopify also has Collections, which is a grouping of products. The grouping can be by vendor, types, tags, and just about any relationship that one can think of.
The themes have a slightly different structure—nothing like WordPress, Wix, or Square. Home pages have a bunch of different dynamic sections, while other pages are pretty static. Most themes are designed for a specific type of product or industry and with the intent that everything you need is already provided. A Pages section provides the ability to build custom pages with a Real-Time Editor or toggle to the source and use HTML.
The programming environment is based on the Liquid template language and allows users to customize the existing theme files or add new pages, sections, functions, and styling. HTML, CSS, Javascript, JSON, and AJAX are all supported.
The Shopify sales representative, Philip, was very helpful in directing us to the themes and apps that would best meet our needs. After much discussion and some research, we landed on the following:
Yes, those are a lot of plugins, but they are quite necessary for a full-blown shopping experience and presence.
My first development task was actually in Microsoft Excel. We use the Matrixify app to import the products into the store. The product description can be formatted with HTML for an excellent presentation. We have a lot of information to present about the product and will divide that information into tabs. So, it was necessary to add columns to the importing spreadsheet with HTML code to gather the data from other columns, format it, and then have the product description column reference the columns with the code. It was a lot of work to get it right, but it worked pretty nicely. We provide the spreadsheet to a third party who adds the product data to the spreadsheet, and the code in the columns automatically handles the formatting.
As is usually the case with most CMS-based websites, the theme does not always meet the client’s needs. This was the case with this project. While the Empire theme is very robust, a lot of functionality was needed to make it into the required storefront. Here are some of the customizations and the associated challenges I ran into:
Unfortunately, as is sometimes the case with website implementation projects, they don’t always go according to schedule. In this case, with a planned completion of April, I had put my feelers out for new projects via LinkedIn. I didn’t expect any immediate hits. However, Kforce contacted me about an opportunity with DIRECTV for a one-year contract. I landed the gig and spent the next two weeks helping City Lights hire another Shopify developer. The good news is that City Lights and the team completed the project, and the new website is doing great. You can read about my DIRECTV experience in the next posting.
Last year, I had the privilege of meeting Hanna Smith, MA LMHC CGP. She had an interesting dilemma of being locked into a very limited WordPress-based hosting platform. She wanted to expand the functionality of her site and was told the features were not available. I presented her with an affordable solution which included:
I am very pleased with how the site has turned out and to see how happy Hanna is with the progress. She now has the flexibility to dream up new features and functionality for her site and thus gain more exposure for her services and products.
Soon, I will be integrating a courseware platform for hosting training videos and content.
A very special thanks to Hanna, for being one of my first website customers and trusting me with her site.
I am very pleased with how this Finals project for my semester of Graphic Arts turned out. The assignment was to build a twelve-page style guide with the following elements:
While this was supposed to be for an imaginary business, I decided to base this on a business and website idea I came up with several years ago. In fact, I took advantage of this course, to focus on defining the voice and brand for the business.
Feel free to download and examine this PDF file. All I ask is please do not steal my plan for this business. I am in the process of creating the website and building the web-based application to drive it. I’ll be covering my progress in my blog postings on this site.
This course taught me a lot about the process of creative graphic design. It made me step outside of my normal comfort zone and it taught me a lot about styles, trends, and appeal. I have always been a very curious person and I love learning new things. In order to be a good full-stack web developer, I truly believe it is necessary to have a fundamental grasp of graphic design. I have also learned that as is the same with writing code if you try to cut corners to save time, it will show. In code, it shows in the amount of debugging and fixes required to fix the code. In graphic design, it becomes very visible to the eye.
Can you see where I got a little sloppy trying to save some time?
On the second page, bottom right corner, I added my signature initials – a brand mark that I use on all my blog postings. Well, the graphic was initially designed for black on white. In order to get it to match the scheme of the page, I added a green background. I ran out of time and left it the way it turned out. Unfortunately, the residual white aliasing can still be seen and it makes it look sloppy. And yes, I got dinged by the instructor. If I had spent an extra half-hour on it, it would have looked a lot better. While the entire magazine turned out quite well, for me, that little issue is like putting a black dot in the middle of a white page. 😉 And yes, I will be fixing that issue before I turn this into an official style guide for the business.
Feel free to comment on this and let me know what you think about the CEPAR Style Guide. And look for my soon-to-be posted blog entry about my progress with the CEPAR website and development of this new business.
Webmaster Internship
During my last semester at Edmonds College, for my Web Application Developer Certificate program, I had the privilege of obtaining an internship with the Edmonds College Federation of Teachers. Edmonds College had just changed its name from Edmonds Community College and the web site had not been updated in quite a while.
The site is an interesting configuration and is actually governed by the American Federation of Teachers. It is a CMS based site similar to WordPress.
I greatly enjoyed this internship. I learned a lot, got to work with some awesome people, and was able to deliver a successful website refresh. And I get to continue as the site webmaster on an as-needed basis.
Many thanks to Kay Latimer, Steve Hailey, and Professor Louis Ho on the Edmonds team. And thanks to Rachel Anderson and Barbara Tobias with aft.org.
da Vinci User’s Guide
From 1998 to 2002 I ran a small software development company called ETS, Inc. (Extended Technology Systems,) that specialized in custom software and consumer software for handheld platforms (Apple Newton, PalmOS, WindowsCE, etc.) We were doing a lot of PalmOS development in the C language and we decided to develop a tool for designing databases and API code for PalmOS. The product was called, “da Vinci” and we needed a User’s Guide. Even though I was the CEO of a small ten-person company, I was also the only writer on the team. So, I took on the task of producing the User’s Guide.
What happened to ETS, Inc.? This was an exciting and booming business from 1998 through 2001. However, the event of 9/11 had a major impact on the market. The day before 9/11 I was turning away business since I didn’t have the resources. After 9/11 the phone stopped ringing. Our existing clients tightened their budgets and quit spending. We almost had a bundling deal with Metrowerks, but they were impacted too, and quit spending. I poured my savings into the business throughout 2002 and eventually closed our doors in September of 2002. Many good lessons were learned and it was a good run while it lasted.
Target Reader
The target market for da Vinci was PalmOS developers. Almost all of the PalmOS developers at the time were using Metrowerks CodeWarrior for writing and compiling C code for Palm applications. We designed da Vinci to work with the CodeWarrior environment.
Document Layout
As with any software application guide, especially one for developers, I focused on these major topics:
The guide needed to be easy to read, have visual cues and screenshots, and easy to follow steps. And the API section needed to clearly define each command, command structure, parameters, expected results, and related notes.
The Guide
The entire guide, as a PDF file, is available here for downloading and review. Even though this was written back in 2002, it is a good example of my technical writing experience as it relates to programming and API guides.
An Example of My Process for Technical Documentation
Project
One of my roles at Averetek, Inc. (Now e2Open.com) was to provide internal technical documentation. The development team had been using Microsoft’s Sourcesafe and continued to run into difficulties. The decision was made to move all of our source code to Git and to use Atlassian’s SourceTree as the User Interface. Since this migration required a bit of a learning curve for existing and new developers, some documentation was needed. I was tasked with putting together a guide for using Git with our environment.
The Challenge
Due to the complexities of our development, sandbox, and production environment, combined with maintaining multiple code branches for multiple clients – this was not an easy transition to execute. It required very specific steps. At the time of this assignment, I was providing assistance with DevOps and I had a good grasp of the development systems and the process for pushing our code through the different environments.
My Approach
While outlining and writing this guide, there were some key items I had to keep in mind:
Test the Writing
One of the things I quickly learned when writing “Adventures in Flight Simulator” is to always, always, always test the steps and instructions after writing. I had a wonderful technical editor assigned to that project and he was great at following my steps and then highlighting something I missed. Not only do I try to test my writing, but I also verbally read it out loud to make sure it sounds correct.
Completion
While I am not able to share the entire document here, I wanted to write a post about it, and to highlight the things that need to be considered when writing technical documentation. It was a fun and geeky project for me. I felt a sense of accomplishment when the developers were using my guide to get them through the migration and back to their assigned tasks.
In 2005-2006 I had the privilege of writing a book for Wiley Publications. The FileMaker Pro Design & Scripting for Dummies book. As a FileMaker developer, I had wanted a book with some significant technical meat. At the time, the only books on FileMaker were at the introductory level. When I would speak to people about FileMaker development, they thought the product was a quick-and-easy form and table builder, without realizing the true power of the environment. I wrote up a proposal and contacted my agent and asked if she could pitch the idea. She couldn’t find anyone willing to publish a book at that level, however, she said the Wiley folks would be interested in a Dummies Guide. While this was exciting, I didn’t want to do another introductory book. So, I pitched the idea of meeting halfway and doing something with the application design and programming aspects of FileMaker. I presented a full outline and the Wiley folks loved it.
By mid-2005 I had a publishing agreement and a beta release of FileMaker 8. To this day, many years after the 2006 release, this book is still highly ranked and is selling, even though FileMaker is up to version 18. Why? I don’t know the exact answers, but I’m assuming it is due to the content. It doesn’t just cover how to build an application in FileMaker. It covers the principles behind good database and application design and applies those to writing FileMaker applications. Plus it has a reference section for the scripting commands (programming statements), which is very similar to an API guide.
Here’s an example page from the book:
I’m very proud of this book and wish that I could convince someone to let me write another for the most recent version of FileMaker. It was a great experience and it opened a lot of doors for FileMaker development work. Unfortunately, in the software development industry, FileMaker is still not regarded as an application development tool. It is viewed as a very niche market, even though it has a very robust database server and the ability to produce a truly cross-platform application for Windows, Mac, iOS, and the Web. Recently, FileMaker Inc. has changed its name to Claris International and they are expanding into workflow automation and systems integration (Claris Connect) with other popular applications.
Feel free to give them a look for a single, true rapid application development platform for all devices. Claris.com
One of my favorite writing projects is when I receive a newly released product for a review. Back in the ’90s, I wrote a regular monthly column for Computer Gaming World magazine called, “From the Cockpit.” I wrote about different flight simulation software applications and products. It was a pretty cool gig.
Now, I have the privilege of writing product reviews for Best Buy. During the past two years I have written 35 different product reviews, mostly for computers and computer related products. Every now and then I get something really cool to play with before it gets released. Such is the case with this Epson EF-100 Laser Wireless Projector with a Streaming TV module. Here’s a picture of the review from the Best Buy site:
I know that might be hard to read as a picture. Here is the content of the review:
Home Theater in a Compact Box
The Epson EF100 Smart Streaming Laser Projector with Android TV is a fantastic piece of technology for a temporary or permanent home theater.
Unboxing
It was hard to believe that everything needed for this configuration was in such a small box. After unpacking all the pieces, I referred to the Quick Setup guide. The streaming TV portion of this configuration is a small device with an HDMI port and a micro USB port. It requires the easy removal of the back panel of the projector, unclipping of the USB cable, and plugging in of the Epson streaming TV device. It fits snugly into the back of the projector, and the back panel is easy to re-attach. Two different remotes come with the unit. One for the projector and one for the streaming device. I was confused by this until the Quick Setup guide stated the streaming device remote is only needed if the device is used outside of the projector.
Setup
We powered up our unit with it pointed at a living room wall. The first step was the paring of the projector remote with the projector by pressing two buttons on the remote. The screen from the projector provided instructions and steps for the rest of the configuration. I selected the Wifi ID and entered the password with the remote and an on-screen keyboard. The unit then downloaded an update for the android streaming device. It rebooted after the download, and the main display presented a dashboard of the recommended android streaming apps.
I configured the unit for Netflix, YouTube, and Sony Crackle. I performed a Google voice search from the remote in the Google Store for Amazon Prime. It found the app, but I was disappointed to see it is not compatible with this device. The setting of the vertical and horizontal keystones for a level image on my wall was easy via a button on the remote. We also enabled the Bluetooth option and easily paired the unit with my soundbar. However, even without the soundbar, the audio from the projector is pretty decent.
Video
Once the unit was configured, we watched some videos from Netflix, YouTube, and Crackle. The brightness and HD resolution of the video is impressive. We set the projector ten feet from our living room wall, and the image came out to 96 inches wide. Even with light streaming in through the windows, the picture was excellent. However, it is best in a darkened room. Some window framing (faint light around the image) occurs, which is quite common with projectors. I imagine with a movie screen the video would be more amazing. I am very impressed with the levels of color contrast. It is the best I have ever seen in projection technology.
After six straight hours of use, the unit did not get excessively hot, which is the case with most projectors. It has the absolute quietest fan I have ever not heard.
Specifications
Per the documentation, this unit uses a unique multi-array laser diode technology for providing exceptional brightness. It also provides an enhanced black density, for an output of 2,000 lumens for both color and white light. An advanced 3LCD chip technology provides the RGB color signal for each frame, which produces an incredible color accuracy and balance.
Pros
Cons
Summary
My family and I are very impressed with the Epson EF100  Smart Streaming Laser Projector with the built-in Android TV. It is a perfect fit for a home theater, bedroom ceiling TV, or a portable theater for special events.
Since these reviews are for the general consumer, I try not to get too technical or too verbose. It is important to hit the main points, be honest, and know who the audience is.